Pim has a large family with lots of relatives, most of them stick around expecting a share in the family’s will. Pim is being forced to marry someone, but she refuses and decides to move to school down south. In school she meets Alan, after a while both really fall in love with each other.

A family reunion among the squattocracy leads to conflict as various members assert their egos.

The hero of the story taking place at the end of the twenties is the modest civil servant, doctor Kopjáss who is suddenly appointed to be the chief attorney of Zsarátnok city. He realises slowly that his immaculate name was needed as a cover for the corrupt loan transactions handled by the lords of the city.

This film is about the life of the (in)famous Margaretha Geertruida Zelle, better known as Mata Hari.

A nomadic recluse living on the fringes of society reconsiders his bloodthirsty legacy when a teenage girl shows up claiming to be his daughter.

A Yakshagana actor who mainly does female roles is faced with his own sexuality and societies outlook.

Two lovebirds who live abroad in Swiss find themselves in awkward situation when another couple arrived and enter their life that cause sparks between each other of them.

A quiet balance between presence and departure. Hujan di Tengah Hari is a meditative visual piece on the cyclical nature of life. Inspired by a Malay pantun and the melancholic P. Ramlee song of the same name. Hujan di Tengah Hari is a wordless short film that drifts through lives caught between moments of change, between development and destruction, longing and release. It contemplates the cycles of nature and the impermanence of human connection. A reminder that even in the middle of our midday, under sudden grey skies, there is stil time to sing.